Showing posts with label Artists. Show all posts
Showing posts with label Artists. Show all posts

Thursday, September 27, 2012

WHO AM I ? : David Greg Harth

DAVID GREG HARTH

Fall 2012
(As seen in PMc Magazine, September 2012)   

1: Who am I?
I’m David Greg Harth. People call me Harth. I’m an artist. I’m a New Yorker. I am not terrorized. I’m an atheist. I’m a poet. I’m single. I’m a giver. I love eating apples and cucumbers. I often take photo booth portraits with strangers.

2: What do you do and what project are you currently working on?
I make art. I have a habit of making art that engages the viewer to participate. Without viewer participation, the art does not exist. I’m currently working on a time-based participatory project, called “Every Person I Know And Every Person I Don’t Know.” I’m taking photo booth portraits with every person I know and every person I don’t know. Friends and strangers alike. I’m also always working on “The Holy Bible Project.” In between those projects I make drawings that look like circulatory and neurological systems. I also collect human teeth, wishbones, and used female toothbrushes. I’m also always writing poetry.

3: Where are you from and where are you going?
I’m from New York and I’m staying in New York. I do plan on going to North Korea soon, however.

4: Who is your biggest hero?
My Opa.

5: What book is your bible?
My bible is my bible. 

6: What are some things you love? And some things you hate?
I love love. I love the concept of love. I love being in love. Hate is a strong word. I don’t hate too much. I suppose I hate stupid people though.

7: What is your raison d’être?
I’m here to make art that makes people think. I’m here to spread love. I’m here to prevent other people from committing suicide.

8: What is your favorite color?
Orange, although most people think my favorite color is black.

9: Who is your favorite comic book superhero?
I don’t have one. Although I was quite fond of Bugs Bunny growing up.

10: What is your favorite NYC hot spot?
Hot? What is a hot spot? I don’t have time for hot spots. My skin is hot. I’m always hot. Some favorite spots of mine: The Metropolitan Museum of Art, The Museum of Modern Art, a grassy hill with David Ippolito nearby (the guitar man from Central Park), Tom & Jerry’s, NoHo Star, and any place with a photo booth.

11: What turns you on?
I’ll answer this in terms of what turns me on as well was what inspires me. Black fishnet stockings, the lines of James Siena, Amy Culter, Marcel Dzama, and Mahmoud Hamadani, the vaseline of Matthew Barney, the whiteness of Robert Ryman, the concepts and drawings of Sol LeWitt, the parking lots of Ed Ruscha, the collages of Robert Rauschenberg, the blood of Marc Quinn and Hermann Nitsch, the fluidity of Brice Marden, the hotel room of Andrea Fraser, the breasts of Marina Abramović, the smell of Ursula von Rydingsvard’s sculptures, the beard of A. A. Bronson, the situations of Tino Sehgal, the photographs of John Coplans, and the cow wall paper of Andy Warhol. I am also turned on and inspired by the shit of Piero Manzoni, the silver hair of Klaus Biesenbach, the masturbation of Vito Acconci, the chocolate of Janine Antoni, the time of Tehching Hsieh, the walking and fucking neon of Bruce Nauman, the one minute sculptures of Erwin Wurm, the urine of Andres Serrano, the perception of Lucian Freud, the sculpture of Mark di Suvero, the situations of Tino Sehgal, the guns of Tom Sachs, the reality of Walton Ford, the large naked women paintings of Jenny Saville, the meat and flies of Zhang Huan, the light of Robert Irwin, the words of Leonard Cohen, Sara Teasdale, the music of U2, James, David Bowie, Pulp, Hans Zimmer, The Clash, and cold apple cider.

12: What would the last question of this questionnaire be if you were the one asking?
This question I’m struggling with. It is tough and I have no idea. I’m going to answer this question like this:

Please have your readers ask me something: question@davidgregharth.com

David Greg Harth is a visual artist based in New York City. He works across a diverse spectrum of media art including performance, video, installation, drawing, photography, and poetry. His work is often time-based and frequently requires public participation. Harth creates unexpected juxtapositions, often employing elements of tension and ambiguous social situations to provoke dialogue on a contemporary issue. Harth explores culture, politics, religion, sexuality, celebrity, and consumerism in his work.

A major part of his work involves gathering information, then collecting, documenting, and producing records on subjects ranging from current events and political, social and, economic justice to personal experience. In most instances, the process of a piece of artwork is just as important as the final work itself.

In his performance work, Harth creates unusual tensions in a common environment. He often puts his own body through strenuous activities to explore fragility, struggle, and adversity in both social and personal situations. Harth infiltrates the public realm with live street actions and interactive projects, often transgressing and questioning social boundaries.

David Greg Harth was born in New York. He has a BFA from Parsons School of Design and a studio at The Elizabeth Foundation For The Arts. He has exhibited in various galleries and art spaces since the mid 90s. Harth enjoys eating apples and the candid conversations that occur inside a photo booth with a stranger.

LINKS:
David Greg Harth
The Holy Bible Project
Every Person Project
Every Person Project Facebook Page
The Holy Bible Project Facebook Page
Harth’s Facebook Page
Twitter: @DavidGregHarth
Youtube Page

Questions by PMc Magazine

Edited by Ceara Maria Burns
Photography by David Greg Harth
Design by Jillian Mercado
Contact Jillian Mercado if you’re interested in becoming a “Who Am I?”


Caption:

David Greg Harth, Self-Portrait, 2012, Photography by David Greg Harth

Tuesday, September 4, 2012

MASTERS AT WORK & PLAY: A Conversation with MAURICIO & ROGER PADILHA from MAO PR on the Launch Of Their Highly Anticipated New Book: Antonio Lopez: Fashion, Art, Sex & Disco











MASTERS AT WORK & PLAY

A Conversation with MAURICIO & ROGER PADILHA from MAO PR on the Launch Of Their Highly Anticipated New Book: Antonio Lopez: Fashion, Art, Sex & Disco
By Marie Havens
Fall 2012
(As seen in PMc Magazine, September 2012)


I first met Mauricio and Roger Padilha over a decade over. They were cool and edgy publicists; I was a young and eager photographer. I remember their all-black showroom on lower Broadway, and I remember photographing them at every great fashion party. They always greeted me with multiple hugs and kisses. I loved them then, and I love them now.

To say they are still going strong is an understatement. In fact, they have created one of the most well-known PR agencies in New York City: producing fashion shows and carefully overseeing the paths of all their hot, young designers. But they’ve always been more than fashion publicists, and they’ve always loved more than fashion: they truly loved pop culture, New York City nightlife (including all its legendary cast of characters and creatures of the night), legendary artists and performers, and underground musicians. They became masters of not only PR and nightlife, but of re-discovering the lost archives of underground pop artists like Stephen Sprouse and legendary illustrator Antonio Lopez–helping their work to be published, noticed, and experienced on a mainstream level. So on the eve of their new book launch, I was absolutely thrilled to interview Mauricio and Roger for PMc Magazine.

Marie Havens: Hi boys!
Mauricio & Roger Padilha: Hey Marie! Always such a pleasure speaking with you! We are such fans of Patrick’s and, of course, of the work you did on his so8os book! We are lucky to be friends with both of you.

MH: Thanks, likewise. And let me just say congratulations on the completion of your new book, Antonio Lopez: Fashion, Art, Sex & Disco (Rizzoli, 2012)! How did you both get involved with such an incredible project focusing on such an amazing artist?
RP: Well, both Mauricio and I have loved Antonio’s work since we were young, aspiring fashion students in the 80s. We were mesmerized by his work in Vanity, American Vogue, the ads for Bloomingdales and Norma Kamali, etc. We had a chance to do an article on Antonio for our magazine MAO MAG a few years ago and through that became very close to Paul Caranicas (who is in charge of the Antonio Lopez archives) as well as Antonio models such as Corey Tippen, Jane Forth, and Pat Cleveland. We always knew in the back of our minds that we wanted to do an Antonio book which showcases his work in a different way to the new generation, and it was a process to gain everyone’s trust. Antonio’s associates are to this day rightfully very protective of his legacy and we just had to make sure that they understood that our intentions were honorable.

MH: I always say the story of how a book is made is nearly as interesting as the subject itself! So please take us through your creation process. What did it take to get this book developed, designed and published?
MP: Well, once we convinced Rizzoli to get on board, we wanted to select an art director who truly understood Antonio. And we approached Marc Balet, the former art director of Andy Warhol’s Interview who knew and worked with Antonio. From there, we went through the archives and looked at the many thousands of illustrations, photographs, diaries, letters, agendas, date books, etc. and edited it down to what we felt would be appropriate for the book. This process took hours and hours and was so hard, as everything in the archives is amazing. Editing is the hardest part.
RP: And at night I would stay up til all hours of the night constructing the writing. Antonio’s life was not very linear–he was constantly working on multiple projects at once, and changing his style between jobs, that it was difficult to put his life into a chronological order. Also, his life was as interesting as his work and really informed his art so it was important to put all that in as well. So in the end I decided to section the writing by decade, and within the decade really pull out his greatest achievements and divide the chapters into that format.

MH: After doing so much research, is there anything that the world still doesn’t know about Antonio Lopez…
MP: Our hope is that our book is the tip of the iceberg that encourages people to really learn more about this master, but our book really uncovers so much. You will grasp a great understanding of Antonio as well as fashion during the 60s, 70s, and 80s by the time you are done with our book!

MH: Well, ironically there isn’t too much I know about your upbringing/childhoods and I’ve known you for so long! Perhaps we should do a book on how two brothers from New York City created a PR empire? Tell me your story…
RP: The funny thing is that Mauricio and I planned and studied for years as students for something we didn’t ultimately do but informs our work everyday, and that’s what is different about us and our PR company. We are brothers originally from New York (our parents immigrated to the the States from Brazil shortly before we were born) and we were just obsessed with fashion and art from a very early age. We took every art class we could, spending our weekends at the FIT high school program as well as taking Sunday classes at the Met. And any other free time, we would be at Bloomingdales, Fiorucci, Patricia Field, etc. just studying clothing and designers as well as devouring every fashion publication we could get our hands on. We both went to Parsons to study fashion design and serendipitously fell into Fashion PR and Production after I had a clothing line called Spooky which closed. We were lucky in that there was a niche open for young designers. We seized that opportunity, and we became known for discovering new talent such as Peter Som and Jason Wu.

MH: Antonio Lopez: Fashion, Art, Sex & Disco is officially your second book. The first being, The Stephen Sprouse Book (Rizzoli, 2010), which we loved, of course, being that Patrick had such a close relationship with Stephen. Was that process similar to that of making the Antonio book? I suppose you learn quite a bit after making your first book?
MP: Yes, making a book is such a different process than anything else we have ever done. But we were told very early in life by our parents that we could do anything so I suppose that our main advantage for a lot of the things we do is NERVE! We just jump in and do things and learn from our mistakes.

MH: Is there a new book in the works? Or a future project or subject you’d love to dive into?
RP: Yes, and the next book will blow everyone away, but you’ll have to wait to find out what it’s about!

MH: Well, as far as this book goes: André Leon Talley wrote the forward…amazing! What was it like collaborating with such a fashion god?
MP: Gosh, that was so major–as well as having Anna Sui, one of our heroes, write the epilogue. People have been so supportive and generous to us that we really have to pinch ourselves everyday!

MH: You both are 24/7–running a PR company, managing the careers of numerous hot designers/brands, producing fashion shows, actively on social media, attending parties, publishing books–how do you (if ever) relax?
RP: One of the things you will learn from our book is that there was no separation between work and life for Antonio Lopez–everything fed off of each other. And that’s how it is with Mauricio and I. Even when we want to blow off some steam and go to a nightclub and drink with friends, we invariably run into a fashion editor or a stylist or a potential client or hear a song which would be good for a show or…you get the picture. It’s always work, but we love it, and one day when you take a look back at all of our shows and books and clients, you’ll get a pretty good sense of who the both of us are. It’s all there in the work.

After years of working in the fashion industry separately and together, brothers Mauricio and Roger Padilha launched MAO PR. In its first decade, MAO has successfully introduced new talent to the fashion industry as well as conceptualizing and producing runway shows for various top Fashion Designers. Now in its 13th year, MAO Public Relations is enjoying a reputation as one of the hardest working Fashion PR Agencies in the Fashion Industry. In addition to Public Relations, MAO’s productions of events and runway shows (most notably MAO SPACE, a week-long alternative show venue to the 7th on Sixth tents which was produced for 5 years) has garnered them many awards and accolades including an award from Mayor Bloomberg for Promotion of Local Business, becoming the youngest members of the CFDA Fashion Week Advisory Council, BizBash’s top 15 event planners behind New York City’s biggest events and smartest marketing strategies and being named two of OUT Magazine’s most influential people in 2010 and Instinct Magazine’s 10 Men of the Year in 2005. In 2010, the Padilha brothers wrote The Stephen Sprouse Book which was published by Rizzoli and continues to be one of the best selling fashion monographs. Now in 2012, they have completed their second book, Antonio Lopez: Fashion, Art, Sex & Disco.

LINKS:
MAO PR
MAO PR BLOGSPOT
The Antonio Lopez Book by Mauricio Padilha and Roger Padilha FACEBOOK Page
The Antonio Lopez Book

Mauricio and Roger Padilha interviewed by Marie Havens
Written by Marie Havens
Edited by Tyler Malone
Photography Courtesy of Paul Caranicas / Copyright the Estate of Antonio Lopez and Juan Ramos
Design by Marie Havens

Captions:
Cover/Page 1:
Polaroids (taken using Antonio Lopez’s original Polaroid SX 70) of Mauricio Padilha and Roger Padilha, 2012, Photography Courtesy of Mauricio Padilha and Roger Padilha
Underlay/Transparency: Ribbon Cover Photo: Nina Gaidarova / Antonio Lopez: Fashion, Art, Sex & Disco
Page 2:
Underlay/Transparency: Ribbon Cover Photo: Nina Gaidarova / Antonio Lopez: Fashion, Art, Sex & Disco
Page 3:
Group shot: Antonio Lopez with Pat Cleveland (centered) and friends at his NYC studio, Photography Courtesy of Paul Caranicas / Copyright the Estate of Antonio Lopez and Juan Ramos
Page 4:
Black and white photograph: Donna Jordan, Corey Tippin and Antonio Lopez (in white robes) in San Tropez, Photography Courtesy of Paul Caranicas / Copyright the Estate of Antonio Lopez and Juan Ramos
Page 5:
Jerry Hall, Photography Courtesy of Paul Caranicas / Copyright the Estate of Antonio Lopez and Juan Ramos
Page 6:
Sketches by Antonio Lopez, Photography Courtesy of Paul Caranicas / Copyright the Estate of Antonio Lopez and Juan Ramos
Page 7:

Antonio Lopez with plastic bag, Photography Courtesy of Paul Caranicas / Copyright the Estate of Antonio Lopez and Juan Ramos
Page 8:
Black and white photograph: Juan Ramos, Cathee Dahmen and Antonio at the Carnegie Hall Studio, Photography Courtesy of Paul Caranicas / Copyright the Estate of Antonio Lopez and Juan Ramos
Page 9:
Woman in Gold seated: Anita Russell Paris, Photography Courtesy of Paul Caranicas / Copyright the Estate of Antonio Lopez and Juan Ramos
Page 10:
Anna Piaggi and Antonio Lopez, Models, Pat Cleveland and Antonio Lopez, Karl Lagerfeld and Antonio Lopez, Photography Courtesy of Paul Caranicas / Copyright the Estate of Antonio Lopez and Juan Ramos
Page 11:

Beach photo: Antonio Lopez, Donna Jordan, and Corey Tippin in San Tropez, Photography Courtesy of Paul Caranicas / Copyright the Estate of Antonio Lopez and Juan Ramos

Wednesday, August 4, 2010

SITES WE LIKE: www.ah-mazing.it




AH-MAZING was created in 2009 by Andrea Merlot.

This project's mission is to emphasize the artistic side of fashion in a world where consumerism and capitalism have almost accomplished to "destroy" the true meaning of art. 

Andrea decided to try and do something about it with the help of some of his favourite designers, artists and friends whose artwork he has always admired. 

Through his work as creator and owner of Ah-mazing, Andrea is a supporter of young talents, to help them gain the recognition they deserve and make them and their art shine.

Personally, more than a business, we consider ourselves 
just a little creative community of artists and hope that in the future, 
we'll grow stronger and bigger just as one big creative family.

Today's fashion world is in desperate need of innovation 
and creativity and that's what our artists are here for. 
Support our mission and spread art!

For further information, please contact:

Tuesday, August 3, 2010

SITES WE LIKE: designrelated.com


CHECK OUT THIS AMAZING SITE, CO-FOUNDED 
BY PETER SUNG (also our beloved Chief Operating Officer)
design:related™ is a community site and inspiration tool that brings together creative people from different disciplines (and parts) of the design world. 
design:related™ serves to motivate designers to share ideas, inspire, and be inspired.